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Browse IS/STAG (S025)

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Courses found, count: 1

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  Abbreviation unit / Course abbreviation Title Variant
Item shown in detail - course KIM/1AFO5  KIM / 1AFO5 Studio of Photography 5 Show course Studio of Photography 5 2023/2024

Course info KIM / 1AFO5 : Course description

  • Course description , selected item
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Department/Unit / Abbreviation KIM / 1AFO5 Academic Year 2023/2024
Academic Year 2023/2024
Title Studio of Photography 5 Form of course completion Pre-Exam Credit
Form of course completion Pre-Exam Credit
Accredited / Credits Yes, 10 Cred. Type of completion Combined
Type of completion Combined
Time requirements Lecture 2 [Hours/Week] Tutorial 6 [Hours/Week] Course credit prior to examination No
Course credit prior to examination No
Automatic acceptance of credit before examination No
Included in study average NO
Language of instruction Czech, English
Occ/max Status A Status A Status B Status B Status C Status C Automatic acceptance of credit before examination No
Summer semester 0 / - 0 / - 0 / - Included in study average NO
Winter semester 5 / - 0 / 0 0 / 0 Repeated registration NO
Repeated registration NO
Timetable Yes Semester taught Winter semester
Semester taught Winter semester
Minimum (B + C) students not determined Optional course Yes
Optional course Yes
Language of instruction Czech, English Internship duration 0
No. of hours of on-premise lessons Evaluation scale S|N
Periodicity every year
Specification periodicity Fundamental theoretical course Yes
Fundamental course No
Fundamental theoretical course Yes
Evaluation scale S|N
Substituted course None
Preclusive courses N/A
Prerequisite courses N/A
Informally recommended courses N/A
Courses depending on this Course N/A
Histogram of students' grades over the years: Graphic PNG ,  XLS
Course objectives:
Other sources, deepening ability in different fields (artist enthusiast, dilettante), knowledge helps to find novel solutions. Thesis preparation, time and technical scenarios, conceptual schedule, and student´s own independent choice and grasp of the topic, first sketches materials including theoretical texts and basic literature. Honing expressive abilities, developing, and defending arguments and viewpoints, critical reflection of the current art scene, exhibition operation and own work.

Requirements on student
- 70% účast na výuce
- referát (zasvěcený souvislý ústní projev aspoň 10 minut)
- příprava na výuku a aktivní účast ve výuce
- absolvování v rámci ateliéru pořádané dílny


Content
1. moje identita a integrita na cestě k bakalářské práci
2. jiné zdroje - ze světa přírody, filozofie, výroby, vědy, společenských komunit, virtuálních
světů, mediálních a informačních struktur.
3. technická, vědecká, policejní fotografie.
4. názorová stabilita a progresivní otevřenost
5. vernakulární fotografie
6. změna komunikace na přelomu 20 - 21 stol?
7. současná fotografie - technologický vývoj záznamových médií a nástup komunikačních
technologií a jejich zhodnocení v uměleckém procesu (OPVVV)
8. otevřené umělecké dílo
9. polemicko-kritický seminář, osobní zkušenosti z výstavního provozu a jejich rozbor
10. tvůrčí dílna s externistou tvorba portfolií
11. tvůrčí dílna s externistou tvorba portfolií
12.-13. tvůrčí dílna s externistou konzultace návrhů diplomových projektů


Activities
Fields of study


Guarantors and lecturers
  • Guarantors: Mgr. Michal Kalhous, Ph.D. (100%), 
  • Lecturer: Mgr. Michal Kalhous, Ph.D. (100%), 
  • Tutorial lecturer: Mgr. Michal Kalhous, Ph.D. (60%),  MgA. Bc. Imrich Veber, ArtD. (40%), 
Literature
  • Basic: Císař, K. Co je to fotografie?. d. Praha : Herrmann & synové, 2004. ISBN 80-239-5169-6.
  • Basic: Eco, U. Jak napsat diplomovou práci. Olomouc: Votobia, 1997. ISBN 80-7198-173-7.
  • Recommended: POSPĚCH, T. (ed.). Česká fotografie 1938-2000 v recenzích, textech, dokumentech.. Hranice: Dost, 2010. ISBN 978-80-87407-01-1.
  • Recommended: BIRGUS, V., MLČOCH, J. Česká fotografie 20. století : průvodce. Praha : KANT, 2005. ISBN 80-86217-89-2.
  • Recommended: Eco, U. - Rorty, R. - Culler, J. - Brooke-Roseová, C.:. Interpretácia a nadinterpretácia, Bratislava, vydavateľstvo Archa, 1995.. Bratislava, 1995.
  • Recommended: Batchen, G. Obraz a diseminace: Za novou historii pro fotografii. Praha, AMU, 2016.
  • Recommended: Eco, U. Poetika otevřeného uměleckého díla, in:. Opus Musicum, č. 5, s. 129-144. 1990. ISBN 0862-8505.
  • Recommended: Sztompka, P. Vizuální sociologie: fotografie jako výzkumná metoda. SLON, Praha, 2007. ISBN 978-80-86429-77-9.
  • On-line library catalogues
Time requirements
All forms of study
Activities Time requirements for activity [h]
Homework for lessons 30
Consultation of work with the teacher/tutor (incl. electronic) 3
Continuous tasks completion (incl. correspondence tasks) 20
Being present in classes 104
Self-tutoring 40
Scientific text studying in the Czech language 20
Secondary literature studying 20
Presentation (of works, projects, etc.) 2
Hand-out completion for the lesson 6
Total 245

Prerequisites

Learning outcomes

Knowledge - knowledge resulting from the course:
- povědomí o filozofických, etických, sociologických, psychologických a jiných aspektech
ovlivňujících vlastní tvorbu nebo nutných k recepci jiných děl
- základní orientace ve fotografii i mimo svět umění a reklamy
- "znalost" dobrých principů pomáhajících v základní orientaci
Skills - skills resulting from the course:
- schopnost v daných limitech samostatně zvládnout celý pracovně tvůrčí proces vzniku díla
- schopnost přijímat zhodnocovat nové vlivy z přírody, z různých oborů lidské činnosti i z
různých komunit
- schopnost kritické reflexe okolního světa a umění i své vlastní práce
- schopnost přemýšlet nad kontexty a nacházet nové vztahy

Assessment methods

Knowledge - knowledge achieved by taking this course are verified by the following means:
IC11 - Activity in lessons (in discussion, group work, etc.)
IIA12 - Research project / research report
IIA13 - Case study / case history
IIA4 - Preparation for lessons
IC17 - Oral self-reflection
IIA5 - Portfolio
Systematic and continuous evaluation of the student (artistic courses)
Satisfactory completion of course, no grade

Teaching methods

Knowledge - the following training methods are used to achieve the required knowledge:
A1 - Lecture
B1 - Discussion
D4 - Practice and creation of graphical and fine-art skills
Dialogic (discussion, dialogue, brainstorming)
D1 - Practice and creation of communication/language skills
G5 - Critical thinking
Work of art activities
Group and co-operative tutoring
 

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